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Recent Articles
Recent Articles by Michael Roberts
Tuesday, September 2, hi-dive, 720-570-4500.
Saturday, August 30, Cervantes' Masterpiece Ballroom, 303-297-1772.
Everything That Happens Will Happen Today
EverythingThatHappens.com
Please, Ambitious, Please
Self-released
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Houston Press
A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
By Rich Connelly
City Pages
Today Denver, tomorrow the Twin Cities.
By Matt Snyders and Bradley Campbell
The Pitch
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
By C.J. Janovy
Village Voice
The provocateur who brought you "Piss Christ" pinches off a new concept.
By Lynn Yaeger
Mad Professor
Thursday, April 3, Cervantes' Masterpiece Ballroom, 303-297-1772.
Published on April 03, 2008
From its humble beginnings circa the '60s, dub has become one of the most influential subgenres in modern music, inspiring innovations in dance sounds, punk rock and countless other categories — and among contemporary practitioners of the art, no one's been better for longer than Mad Professor. Born Neal Fraser in the West Indies, the Prof began his recording career in the early '80s, and since then, he's steadily built upon the foundation laid by precursors such as Lee "Scratch" Perry with his Black Liberation Dub series and remixes that blend the organic, elemental feel of the earliest versions with electronic accoutrements. His profile is lower today than it was during the '90s, when the likes of Massive Attack and the Beastie Boys hired him to tinker with their tracks. But despite having just celebrated the 25th anniversary of Ariwa Sounds, his studio and record label, he remains as restlessly creative as ever. Mad Professor's experiments continue to be successful.